I think it’s SLP what’s a distant 4th at SAG. People say Weaver has nothing to do, and she’s still 4th billed, so I’m assuming (correct me if I’m wrong) it’s a cast of just 3 substantial roles. Those hardly ever win. Sideways at least had Oh with a substantial role, and it was a weak year for the category. The closest comparison would be The King’s Speech, but that was the BP frontrunner and, as much as I think SLP can be a dark horse, a dark horse is still not a frontrunner. Plus, TKS had all those huge prestige names from the British stage (Gambon, Jaconi, Spall, Bloom…) which SLP doesn’t have.
I say it’s Les Mis vs. Argo vs. Lincoln, neck to neck at this stage.















